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My life is in your hands(by Kirk Franklin) You don't have to worry And don't you be afraid Joy comes in the morning Troubles they don't last always For there's a friend in Jesus Who will wipe your tears away And if your heart is broken Just lift your hands and say Oh I know that I can make it I know that I can stand No matter what may come my way My life is in your hands With Jesus I can take it With Him I know I can stand No matter what may come my way My life is in your hands So when your tests and trials They seem to get you down And all your friends and loved ones Are nowhere to be found Remember there's a friend in Jesus Who will wipe your tears away And if you heart is broken Just lift your hands and say Oh I know that I can make it I know that I can stand No matter what may come my way My life is in your hands With Jesus I can take it With Him I know I can stand No matter what may come my way My life is in your hands 心配しないで、怖がらなくてもいい 喜びは朝やってきて、心配事はずっと長くは続かない 涙を拭ってくれるジーザスと言う名の友達がいるから もしつらいことがあったら、両手を上げてこういえばいい 私にはできる 乗り越えることができる 何が私を邪魔しようとも、 私はあなたの手に委ねられているから 心配しないで、怖がらなくてもいい 喜びは朝やってきて、心配事はずっと長くは続かない 涙を拭ってくれるジーザスと言う名の友達がいるから もしつらいことがあったら、両手を上げてこういえばいい わたしにはできる 乗り越えることができる 何が私を邪魔しようとも 私はあなたの手に委ねられているから 彼がいるからわたしはできる 彼がいるからわたしはできるとわかる 何がわたしを邪魔しようとも わたしはあなたの手にゆだねられているから 試練や苦難があなたをがっかりさせ 友達や愛するひとがどこにも見つからない時 涙を拭ってくれるジーザスと言う名の友達を思い出そう もしつらいことがあったら、両手を上げてこういえばいい 私にはできる 乗り越えることができる 何が私を邪魔しようとも 私はあなたの手に委ねられているから
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Exporting to Your Animation Package Once you are happy with the object paths and tracker positions, use the Export menu items to save your scene. The following options are currently available (note that this list is constantly being expanded; check the web site) · 3ds max 4 or later (Maxscript). Should be usable for 3D Studio MAX 3 as well. Separate versions for 3dsmax 5 and earlier, and 3dsmax 6 and later. · After Effects (via a special maya file) · Bentley Microstation · Blender · Carrara · Cinema 4D (via Lightwave scene) · Combustion · ElectricImage (less integrated due to EI import limitations) · FLAIR motion control cameras (Mark Roberts Motion Control) · Flame (3-D) · Fusion 5 · Hash Animation Master. Hash 2001 or later. · Houdini · Inferno 3-D Scene. · Lightwave LWS. Use for Lightwave, Cinema 4D · Maya scene file · Mistika · Motion – 2-D · Nuke (D2 Software, subsidiary of Digital Domain) · Particle Illusion · Poser · Realsoft 3D · Shake (several 2-D/2.5-D plus Maya for 3-D scenes) · SoftImage XSI, via a dotXSI file · Toxik · trueSpace · Vue 5 and 6 Infinite · VIZ (via 3ds Max scene) SynthEyes offers a scripting language, SIZZLE™, that makes it easy to modify the exported files, or even add your own export type. See the separate SIZZLE User Manual for more information. New export types are being added all the time, check the export list in SynthEyes and the support site for the latest packages or beta versions of forthcoming exporters. General Procedures You should already have saved the scene as a SynthEyes file before exporting. Select the appropriate export from the list in the File/Exports area. SynthEyes keeps a list of the last 3 exporters used on the top level of the File menu as well. Hint SynthEyes has many exports. To simplify the list, clickScript/System Script Folder, create a new folder “Unused” in it, and move all the scripts for applications you do not use into that folder. You will have to repeat this process when you later install new builds, however. There is also an export-again option, which repeats the last export performed by this particular scene file, with the most-recently-used export options, without bring up the export-options dialog again to save time for repeated exports. When you export, SynthEyes uses the file name, with the appropriate file extension, as the initial file name. By default, the exported file will be placed in a default export folder (as set using the preferences dialog). In most cases, you can either open the exported file directly, or if it is a script, run the script from your animation package. For your convenience, SynthEyes puts the exported file name onto the clipboard, where you can paste it (via control-V or command-V) into the open-file dialog of your application, if you want. (You can disable this from the preferences panel if you want.) Note that the detailed capabilities of each exporter can vary somewhat. Some scripts offer popup export-control dialogs when they start, or small internal settings at the beginning of each Sizzle script. For example, 3ds max does not offer a way to set the units from a script before version 6 and the render settings are different, so there slightly different versions for 3dsmax 5 and 6+. Settings in the Maya script control the re-mapping of the file name to make it more suitable for Maya on Linux machines. If you edit the scripts, using a text editor such as Windows’ Notepad, you may want to write down any changes as they must be re-applied to subsequent upgraded versions. Be aware that not all packages support all frame rates. Sometimes a package may interpret a rate such as 23.98 as 24 fps, causing mismatches in timing later in the shot. Or one package may produce 29.96 vs 29.97 in another. Handle image sequences and use frame counts rather than AVIs, QTs, frame times, or drop-frame time codes wherever possible. TheCoordinate System control panel offers an Exportable checkbox that can be set for each tracker. By default, all trackers will be exported, but in some cases, especially for compositors, it may be more convenient to export only a few of the trackers. In this case, select the trackers you wish to export, hit control-I to invert the selection, then turn off the checkbox. Note that particular export scripts can choose to ignore this checkbox. Setting the Units of an Export SynthEyes uses generic units a value of 10 might mean 10 feet, 10 meters, 10 miles, 10 parsecs—whatever you want. It does not matter to SynthEyes. This works because match-moving never depends on the overall scale of the scene. SynthEyes generally tries to export the same way as well—sending its numbers directly as-is to the selected animation or compositing package. However, some software packages use an absolute measurement system where, for instance, Lightwave requires that coordinates in a scene file always be in meters. If you want something else inside Lightwave, it will automatically convert the values. For such software, SynthEyes needs to know what units you consider yourself to be using within SynthEyes. It doesn’t care, but it needs to tell the downstream package the right thing, or pre-scale the values to match your intention. To set the SynthEyes units selection, use the Units setting on the SynthEyes preferences panel. Changing this setting will not change any numbers within SynthEyes; it will only affect certain exports. The exports affected by the units setting are currently these · After Effects (3-D) · Hash Animation Master · Lightwave · 3ds max · Maya · Poser Before exporting to one of these packages, you should verify your units setting. Alternatively, if you observe that your imported scene has different values than in SynthEyes, you should check the units setting in SynthEyes. Hint if you will be exporting to acompositing package, they often measure everything, including 3-D coordinates, in terms of pixels, not inches, meters, etc. Be sure to pick sizes for the scene that will work well in pixels. While you might scale a scene for an actor 2m tall, if you export to a compositor and the actor is two pixels tall that will rarely make sense. Image Sequences Different software packages have different conventions and requirements regarding the numbering of image sequences whether they start at 0 or 1, whether there are leading zeroes in the image number, and whether they handle sequences that start at other numbers flexibly. For example, if you have a shot that originally had frames img1.tif-img456.tif, but you are using only images img100.tif-img150.tif of it, SynthEyes will normally consider it as a 51 frame shot, starting with frame 0 (img100.tif) or, withFirst frame is 1preference on, as frame 1 at img100.tif. Other software sometimes requires that their frame numbers match the file number, so img100.tif must always be frame 100, no matter what frame# they normally start at. SynthEyes gives you the option to pad the beginning of IFLs with extra copies of the first frame, so that the SynthEyes frame number matches the image frame number, by turning on the Match frame# s preference. While this sounds simple, it will cause trouble for many of the exports. It is especially a problem if you do not have the unused frames, as is often the case. By being aware of these differences, you will be able to recognize when your particular situation requires an adjustment to the settings—typically when there is a shift between the camera path animation and the imagery. Generic 2-D Tracker Exporters There are a number of similar exporters that all output 2-D tracker paths to various compositing packages. Why 2-D, you protest? For starters, SynthEyes tracking capabilities can be faster and more accurate. But even more interestingly, you can use the 2-D export scripts to achieve some effects you could not with the compositing package alone. For image stabilizing applications, the 2-D export scripts will average together all the selected trackers within SynthEyes, to produce a synthetic very stable tracker. For corner-pinning applications, you can have SynthEyes output not the 2-D tracker location, but the re-projected location of the solved 3-D point. This location can not only be smoother, but continues to be valideven if the tracker goes off-screen. So suppose you need to insert a painting into an ornate picture-frame using corner pinning, but one corner goes off-screen during part of the shot. By outputting the re-projected 3-D point (Use solved 3-D points checkbox), the corner pin can be applied over the entire shot without having to guess any of the path. Taking this idea one step further, you can create an “extra” point in 3-D in SynthEyes. Its re-projected 2-D position will be averaged with any selected trackers; if there are none, its position will be output directly. So you can do a four-corner pin even if one of the corners is completely blocked or off-screen. By repeating this process several times, you can create any number of synthetic trackers, doing a four-corner insert anywhere in the image, even where there are no trackable features. Of course, you could do this with using a 3-D compositing environment, but that might not be simplest. At present, there are compatible 2-D exporters for AfterEffects, Digital Fusion, Discreet (Combustion/Inferno/Flame), Particle Illusion, and Shake. Note that you will need to import the tracker data file (produced by the correct SynthEyes exporter) into a particular existing tracker in your compositing package. There is also a 2-D exporter that exports all tracker paths into a single file, with a variety of options to change frame numbers and u/v coordinates. A similar importer can read the same file format back in. Consequently, you can use the pair to achieve a variety of effects within SynthEyes, including transferring trackers from SynthEyes file to SynthEyes file, as described in the section onMerging Files and Tracks. This format can also be imported by Fusion. Generic 3-D Exporters There are several 3-D exports that produce plain text files. You can use them for any software SynthEyes don’t already support, for example, non-visual-effects software. You can also use them as a way to manipulate data with little shell, AWK, or Perl scripts, for example. Importantly, you can also use them as a way to transfer data between SynthEyes scene files, for example, to compute some tracker locations to be used by a number of shots. There are several ways to do this, see the section onMerging Files and Tracks. The generic exports are Camera/Object Path for a path, Plain Trackers for the 3-D coordinates of trackers and helper points, and corresponding importers. You can import 3-D locations to create either helper points, or trackers. This latter option is useful to bring in surveyed coordinates for tracking. After Effects 3-D Procedure 1. Export to After Effects in SynthEyes to produce a (special) .ma file. 2. In After Effects, do a File/Import File 3. Change Files of Type to All File Formats 4. Select the .ma file 5. Double-click the Square-whatever composition 6. Re-import the original footage 7. Click File/Interpret Footage/Main and be sure to check the frame rate and pixel aspect. 8. Rewind to the beginning of the shot 9. Drag the re-imported footage from the project window into the timeline as the first layer 10.Tracker nulls have a corner at the active point, instead of being centered on the active point as in SynthEyes. After Effects 2-D Procedure 1. Select one or more trackers to be exported. 2. Export using the After Effects 2-D Clipboard. You can select either the 2-D tracking data, or the 3-D position of tracker re-projected to 2-D. 3. Open the text file produced by the export 4. In the text editor, select all the text, using control-A or command-A. 5. Copy the text to the clipboard with control-C or command-C. 6. In After Effects, select a null to receive the path. 7. Paste the path into it with control-V or command-V. Bentley MicroStation You can exporter to Bentley s Microstation V8 XM Edition by following these directions. Exporting from SynthEyes MicroStation requires that animated backgrounds consist of a consecutive sequence of numbered images, such as JPEG or Targa images. If necessary, the Preview Movie capability in SynthEyes s Perspective window can be used to convert AVIs or MOVs to image sequences. Perform tracking, solving, and coordinate system alignment in SynthEyes. (Exporting coordinates from MicroStation into SynthEyes may be helpful) File/Export/Bentley MicroStation to produce a MicroStation Animation (.MSA) file. Save the file where it can be conveniently accessed from MicroStation. The export parameters are listed below. SynthEyes/MicroStation Export Parameters Target view number. The view number inside MicroStation to be animated by this MSA file (usually 2) Scaling. This is from MicroStation s Settings/DGN File Settings/Working Units, in the Advanced subsection the resolution. By default, it is listed as 10000 per distance meter, but if you have changed it for your DGN file, you must have the same value here. Relative near-clip. Controls the MicroStation near clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects closer than this to the camera will not be displayed in MicroStation. Relative view-size.Another option to adjust as needed if everything is disappearing from view in MicroStation. Relative far-clip. Controls the MicroStation far clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects farther than this from the camera will not be displayed in MicroStation. Importing into MicroStation Open your existing 3-D DGN file. Or, create a new one, typically based on seed3d.dgn Open the MicroStation Animation Producer from Utilities/Render/Animation File/Import .MSA the .msa file written by the SynthEyes exporter. Set the View Size correctly—this isrequiredto get a correct camera match. Settings/Rendering/View Size Select the correct view # (typically 2) Turn off Proportional Resize Set X and Y sizes as follows. Multiply the height(Y) of your image, in pixels, by the aspect ratio (usually 4 3 for standard video or 16 9 for HD) to get the width(X) value. For example, if your source images are 720x480 with a 4 3 aspect ratio, the width is 480*4/3 = 640, so set the image size to X=640 and Y=480, either directly on the panel or using the “Standard” drop-down menu. This process prevents horizontal (aspect-ratio) distortion in your image. Hit Apply Turn Proportional Resize back on Close the view size tool On the View Attributes panel, turn on the Background checkbox. Bring up the Animation toolbar (Tools/Visualization/Animation) and select the Animation Preview tool. You can dock it at the bottom of MicroStation if you like. If you scrub the current time on the Animation Preview, you’ll move through your shot imagery, with synchronized camera motion. Unless you have some 3-D objects in the scene, you won’t really be able to see the camera motion, however. If desired, use the Tools/3-D Main/3-D Primitives toolbar to create some test objects (as you probably did in SynthEyes). To see the camera cone of the camera imported from SynthEyes, bring up Tools/Visualization/Rendering, and select the Define Camera tool. Select the view with the SynthEyes camera track as the active view in the Define Camera tool, and turn on the Display View Cone checkbox. Transferring 3-D Coordinates If you would like to use within MicroStation the 3-D positions of the trackers, as computed by SynthEyes, you can bring them into MicroStation as follows. You have the option of exporting only a subset of points from SynthEyes to MicroStation. All trackers are exported by default; turn off the Exportable checkbox on the coordinate system panel for those you don’t wish to export. You may find it convenient to select the ones you want, then Edit/Invert Selection, then turn off the box. In SynthEyes, File/Export/Plain Trackers with Set Names=none, Scale=1, Coordinate System=Z Up. This export produces a .txt file listing all the XYZ tracker coordinates. In MicroStation, bring up the Tools/Annotation/XYZ Text toolbar. Click the Import Coordinates tool. Select the .txt file exported from SynthEyes in Step 1. Set Import=Point Element, Order=X Y Z, View=2 (or whichever you are using). Transferring Meshes SynthEyes uses two types of meshes to help align and check camera matches mesh primitives, such as spheres, cubes, etc; and tracker meshes, built from the computed 3-D tracker locations. The tracker meshes can be used to model irregular areas, such as a contoured job site into which a model will be inserted. Both types of models can be transferred as follows In SynthEyes, select the mesh to be exported, by clicking on it or selecting it from the list on the 3-D panel. Select the File/Export/STL Stereolithography export, and save the mesh to a file. In MicroStation, select File/Import STL and select the file written in step 2. You can use the default settings. Meshes will be placed in MicroStation at the same location as in SynthEyes. You can bring up its Element/Information and assign it a material. To Record the Animation Select the Record tool on the Animation toolbar (Tools/Visualization/Animation) Important Be sure the correct (square pixels) output image size is selected, the same one as the viewport size. For example, if your input is 4 3 720x480 DV footage, youMUSTselect640x480output to achieve 4 3 with square pixels (ie 640/480 = 4/3). MicroStation always outputs square pixels. You can output images with any overall aspect you wish, as long as the pixels are square (pixelaspect ratio is 1.0). Note that HD images already have square pixels. Don’t clobber your input images! Be sure to select a different location for your output footage than your input. Blender Directions Blender has a tendency to change around frequently, so the details of these directions might best be viewed more as a guide than the last word. When working with image sequences and blender, it will be a good idea to ensure that the overall frame number is the same as the number in the image file name. Although you can adjust the offset, Blender incorrectly eliminates a frame number of zero. 1. In SynthEyes, export to Blender (Python) 2. Start Blender 3. Delete the default cube and light 4. Change one of the views to the blender Text Editor 5. In the text editor, open the blender script you exported in step 1. 6. Hit ALT-P to run the script 7. Select the camera (usually Camera01) in the 3-D Viewport 8. In a 3-D view, select Camera on the View menu to look through the imported, animated, SynthEyes camera 9. Select View/Background image 10.Click Use Background Image 11.Select your image sequence or movie from the selection list. 12.Adjust the background image settings to match your image. Make sure the shot length is adequate, and that Auto Refresh is on. If the images and animation do not seem to be synced correctly, you probably have to adjust the offset. 13.Decrease the “blend” value to zero, or you can go without the background, and set up compositing within blender. 14.On the View Properties dialog, you might wish to turn off Relationship Lines to reduce clutter. 15.Use a Timeline view to scrub through the shot. Cinema 4D Procedure 1. Export from SynthEyes in Lightwave Scene format (.lws) — see below. 2. Start C4D, open the .lws file 3. From the Objects menu, add a Background 4. Create a new Texture with File/New down below. 5. At right, click on “…” next to the file name for texture. 6. Select your source file. 7. Click on the right-facing triangle button next to the file name, select Edit. 8. Select the Animation panel 9. Click the Calculate button at the bottom. 10.Drag the new texture from the texture editor onto the “Background” on the object list. Background now appears in the viewport. DotXSI Procedure 1. In SynthEyes, after completing tracking, do File/Export/dotXSI to create a .xsi file somewhere. 2. Start Softimage, or do a File/New. 3. File/Import/dotXSI... of the new .xsi file from SynthEyes. The options may vary with the XSI version, but you want to import everything. 4. Set the camera to Scene1.Camera01 (or whatever you called it in SynthEyes). 5. Open the camera properties. 6. In the camera rotoscopy section, select New from Source and then the source shot. 7. Make sure “Set Pixel Ratio to 1.0” is on. 8. Set “Use…” pixel ratio to “Camera Pixel Ratio” (should be the default) 9. In the Camera section, make sure that Field of View is set to Horizontal. 10.Make sure that the Pixel Aspect Ratio is correct. In SynthEyes, select Shot/Edit Shot to see the pixel aspect ratio. Make sure that XSI has the exact same value 0.9 isnota substitute for 0.889, so fix it! Back story XSI does not have a setting for 720x480 DV, and 720x486 D1 causes errors! 11.Close the camera properties page. 12.On the display mode control (Wireframe, etc), turn on Rotoscope. ElectricImage The ElectricImage importer relies on a somewhat higher level of user activity than normal, in the absence of a scripting language for EI. You can export either a camera or object path, and its associated trackers. 1. After you have completed tracking in SynthEyes, select the camera/object you wish to export from the Shots menu, then select File/Export/Electric Image. SynthEyes will produce two files, an .obm file containing the trajectory, and an .obj file containing geometry marking the trackers. 2. In ElectricImage, make sure you have a camera/object that matches the name used in SynthEyes. Create new cameras/objects as required. If you have Camera01 in SynthEyes, your camera should be Camera 1 in EI. The zero is removed automatically by the SynthEyes exporter. 3. Go to the Animation pull-down menu and select the Import Motion option. 4. In the open dialog box, select All Files from the Enable pop-up menu, so that the .obm file will be visible. 5. Navigate to, and select, the .obm file produced by SynthEyes. This will bring up the ElectricImage motion import dialog box which allows you to override values for position, rotation, etc. Normally, you will ignore all these options as it is simpler to parent the camera/object to an effector later. The only value you might want to change is the start time to offset when the camera move begins. Click OK and you will get a warning dialog about the frame range. This is a benign warning that sets the range of frames rendering option to match the length of the incoming camera data. Hitting cancel will abort the operation, so hit OK and the motion data will be applied to the camera. 6. Select Import Object from the Object pull-down menu. 7. Enable All Files in the pop-up menu. 8. Select the .obj file produced by SynthEyes. 9. Create a hierarchy by selecting one tracker as the parent, or bringing in all trackers as separate objects. 10.If you are exporting an object path, parent the tracker object to the object holding the path. Fusion 5 There are several Fusion-compatible exporters. The main exporter is the Fusion 5 composition export, which can be opened directly in Fusion. The Tracker 2-D Paths export can write all the exportable trackers to a text file, which can then be read in Fusion with the Import SynthEyes Trackers script and assigned to any Point-type input on a node. Select a node and start the Import script from its right-click menu. At present, it appears that you should animate the desired control before importing, then tell the script to proceed anyway when it notices that the control is already animated. There is also a generic 2-D path exporter for Fusion. Houdini Instructions 1. File/New unless you are addding to your existing scene. 2. Open the script Textport 3. Typesource c /shots/scenes/flyover.cmd or equivalent. 4. Change back from COPs to OBJs. Lightwave The Lightwave exporter produces a lightwave scene file (.lws) with several options, one of them crucial to maintaining proper synchronization. As mentioned earlier, Lightwave requires a units setting when exporting from SynthEyes. The SynthEyes numbers are unitless by changing the units setting in the lightwave exporter as you export, you can make that 24 in SynthEyes mean 24 inches, 24 feet, 24 meters, etc. This is different than in Lightwave, where changing the units from 24 inches would yield 2 feet, 0.61 meters, etc. This is the main setting that you may want to change from scene to scene. Lightwave has an obscure preferences-like setting on its Compositing panel (on the Windows menu) named “Synchronize Image to Frame.” The available options are zero or one. Selecting one shifts the imagery one frame later in time, and this is the Lightwave default. However, for SynthEyes, a setting of zero will generally be more useful (unless the SynthEyes preferenceFirst Frame is 1is turned on). The Lightwave exporter from SynthEyes allows you to select either 0 or 1. We recommend selecting zero, and adjusting Lightwave to match. You will only have to do this once, Lightwave remembers it subsequently. In all cases, you must have a matching value on the exporter UI and in Lightwave, or you will cause a subtle velocity-dependent error in your camera matches in Lightwave that will drive you nuts until you fix the setting. The exporter also has a checkbox for using DirectShow. This checkbox applies only for AVIs, and should be on for most AVIs that contain advanced codecs such as DV or HD. If an AVI uses an older codec and is not opened automatically within Lightwave, export again with this checkbox turned off. Nuke The nuke exporter produces a nuke file you can open directly. The pop-up parameter panel lets you indicate if you have a slate frame at the start of the shot, or select renderable or non-rendering tracker marks. The renderable marks are better for tracking, the non-rendering marks better for adding objects within Nuke s 3-D view. Poser Poser struggles a little to be able to handle a match-moved camera, so the process is a bit involved. Hopefully Curious Labs will improve the situation in further releases. The shot must have square pixels to be used properly by Poser; it doesn t understand pixel aspect ratios. So if you have a 720x480 DV source, say, you need to resample it in SynthEyes, AfterEffects or something to 640x480. Also, the shot has to have a frame rate of exactly 30 fps. This is a drag since normal video is 29.97 fps, and Poser thinks it is 29.00 fps, and trouble ensues. One way to get the frame rate conversion without actually mucking up any of the frames is to store the shot out as a frame sequence, then read it back in to your favorite tool as a 30 fps sequence. Then you can save the 640x480 or other square-pixel size. Note that you can start with a nice 720x480 29.97 DV shot, track it in SynthEyes, convert it as above for Poser, do your poser animation, render a sequence out of Poser, then composite it back into the original 720x480. One other thing you need to establish at this time---exactly how many frames there are in your shot. If the shot ranges are 0 to 100, there are 101; from 10 to 223, there are 214. 1. After completing tracking in SynthEyes, export using the Poser Python exporter. 2. Start Poser. 3. Set the number of frames of animation, at bottom center of the Poser interface, to the correct number of frames. It is essential that you do this now, before reading the python script 4. File/Run Python Script on the python script output from SynthEyes. 5. The Poser Dolly camera will be selected and have the SynthEyes camera animation on it. There are little objects for each tracker, and also SynthEyes boxes, cones, etc are brought over into Poser. Open Question How to render out of Poser with the animated movie background. The best approach appears to be to render against black with an alpha channel, then composite over the original shot externally. Shake SynthEyes offers three specific exporters for Shake, plus one generic one 1. MatchMove Node. 2. Tracker Node 3. Tracking File format 4. 3-D Export via the “AfterFX via .ma” or Maya ASCII exports. The first two formats (Sizzle export scripts) produce shake scripts (.shk files); the third format is a text file. The fourth option produces Maya scene files that Shake reads and builds into a scene using its 3-D camera. We’ll start with the simplest, the tracking file format. Select one tracker and export with the Shake Tracking File Format, and you will have a track that can be loaded into a Shake tracker using the load option. You can use this to bring a track from SynthEyes into existing Shake tracking setups. Building on this basis, #2, Tracker Node, exports one or more selected trackers from SynthEyes to create a single Tracker Node within Shake. There are some fine points to this. First, you will be asked whether you want to export the solved 3-D positions, or the tracked 2-D positions. These values are similar, but not the same. If you have a 3-D solution in SynthEyes, you can select the solved 3-D positions, and the export will be the “ideal” tracked (predicted) coordinates, with less jitter than the plain 2-D coordinates. Also, since you might be exporting from a PC to a Mac or Linux machine, the image source file(s) may be named differently perhaps X \shots1\shot1_#.tga on the PC, and //macmachine/Users/tom/shots/shot1_#.tga on the PC. The Shake export script s dialog box has two fields, PC Drive and Mac Drive, that you can set to automatically translate the PC file name into the Mac file name, so that the Shake script will work immediately. In this example, you would set PC Drive to “X \\” and Mac Drive to “//macmachine/Users/tom/”. Finally, the MatchMove node exporter looks not for trackers to export, but for SynthEyes planes! Each plane (created from the 3-D panel) is exported to Shake by creating four artificial trackers (in Shake) at the corners of the plane. The matchmove export lets you insert a layer at any arbitrary position within the 3-D environment calculated by SynthEyes. For example, you can insert a matte painting into a scene at a location where there is nothing to track. You can use a collection of planes, positioned in SynthEyes, to obtain much of the effect of a 3-D camera. The matchmove node export also provides PC to Mac/Linux file name translation. trueSpace Directions Warning trueSpace has sometimes had problems executing the exported script correctly. Hopefully Caligari will fix this soon. 1. In SynthEyes, export to trueSpace Python. 2. Open trueSpace. 3. Right-click the Play button in the trueSpace animation controls. 4. Set the correct BaseRate/PlayRate in the animation parameters to match your source shot. 5. Open the Script Editor. 6. From inside the Script Editor, Open/Assign the python script you created within SynthEyes. 7. Click Play (Time On) in the Script Manager. 8. When the Play button turns off, close the ScriptManager. 9. Open the Object Info panel. 10.Verify that the SynthEyes camera is selected (usually Camera01). 11.Change the Perspective view to be View from Object. 12.Select the Camera01Screen. 13.Open the Material Editor (paint pallete). 14.Right click on Color shaders button. 15.Click on (Caligari) texture map, sending it to the Material Editor color shader. 16.Open the subchannels of the Material Editor (Color, Bump, Reflectance). 17.On the Color channel of the Material Editor, right click on the Get Texture Map button and select your source shot. 18.Check the Anim box. 19.Click the Paint Object button on the Material Editor. 20.Click on File/Display Options and change the texture resolution to 512x512. 21.You may want to set up a render background to overlay animated objects on the background, or you can use an external compositing program. Make the Camera01Screen object invisible before rendering. 22.In trueSpace, you need to pay special attention to get the video playback synchronized with rest of the animation, and to get the render aspect ratio to match the original. For example, you must add the texture map while you are at frame zero, and you should set the pixel aspect ratio to match the original (SynthEyes s shot panel will tell you what it is). Vue 5 Infinite The export to Vue Infinite requires a fair number of manual steps pending further Vue enhancements. But with a little practice, they should only take a minute or two. 1. Export from SynthEyes using the Vue 5 Infinite setting. The options can be left at their default settings unless desired. You can save the python script produced into any convenient location. 2. Start Vue Infinite or do a File/New in it. 3. Select the Main Camera 4. On its properties, turn OFF Always keep level 5. Go to the animation menu, turn ON the auto-keyframe option. 6. Select the Python/Run python script menu item, select the script exported from SynthEyes, and run it. 7. In the main camera view, select the Camera01 Screen object (or the equivalent if the SynthEyes camera was renamed) 8. In the material preview, right-click, select Edit Material. 9. The material editor appears, select Advanced Material Editor if not already. 10.Change the material name to flyover or whatever the image shot name is. 11.Select the Colors tab. 12.Select Mapped picture 13.Click the left-arrow Load icon under the black bitmap preview area 14.In the Please select a picture to load dialog, click the Browse File icon at the bottom --- a left arrow superimposed on a folder 15.Select your image file in the Open Files dialog. If it is an image sequence, select the first image, then shift-select the last. 16.On the material editor, under the bitmap preview area, click the clap-board animation icon to bring up the Animated Texture Options dialog 17.Set the frame rate to the correct value. 18.Turn on Mirror Y 19.Hit OK on the Animated Texture dialog 20.On the drop-down at top right of the Advanced Material Editor, select a Mapping of Object- Parametric 21.Turn off Cast shadows and Receive shadows 22.Back down below, click the Highlights tab 23.Turn Highlight global intensity down to zero. 24.Click on the Effects tab 25.Turn Diffuse down to zero 26.Click the Ambient data-entry field and enter 400 27.Hit OK to close the Advanced Material Editor 28.Select the Animation/Display Timeline menu item (or hit F11) 29.If this is the first time you have imported from SynthEyes to Vue Infinite, you must perform the following steps a. Select File/Options menu item. b. Click the Display Options tab c. Turn off Clip objects under first horizontal plane in main view only , otherwise you will not be able to see the background image. d. Turn off Clip objects under first horizontal plane (ground / water) e. Turn off Stop camera going below clipping plane (ground / water) if needed by your camera motion. f. Hit OK 30.Delete the Ground object 31.If you are importing lights from SynthEyes, you can delete the Sun Light as well, otherwise, spin the Sun Light around to point at the camera screen, so that the image can be seen in the preview window. 32.You may have to move the time bar before the image appears. Vue Infinite only shows the first image of the sequence, so you can verify alignment at frame zero. 33.You will later want to disable the rendering of the trackers, or delete them outright. 34.Depending on what you are doing, you may ultimately wish to delete or disable the camera screen as well, for example, if you will composite an actor in front of your Vue Infinite landscape. 35.The import is complete; you can start working in Vue Infinite. You should make probably save a copy of the main camera settings so that you can have a scratch camera available as you prepare the scene in Vue Infinite. Vue 6 Infinite Export from SynthEyes using the Vue 6 Infinite option, producing a maxscript file. Import the maxscript file in Vue 6 Infinite Adjust the aspect ratio of the backdrop to the correct overall aspect ratio for your shot. This is important since Vue assumes square pixels, and if they aren’t (for all DV, say), the camera match will be off badly
https://w.atwiki.jp/is01rebuild/pages/29.html
make にかかった時間など $ANDROID_SRC/frameworks/base/core/java/com/android/internal/os/ZygoteInit.java だけを編集し、VMware raw HDD 環境で make した結果14分程度かかった。 開始 2010年 12月 25日 土曜日 09 06 58 JST 終了 2010年 12月 25日 土曜日 09 21 37 JST make時間を短縮するには? export USE_CCACHE=1 を入れてみると良いかも。 コメント 名前 コメント
https://w.atwiki.jp/biyou755g/pages/18.html
店名 hair make you 電話番号 03-3902-2088 店舗住所 東京都北区赤羽2-4-14蛇の目ビル2F 店舗までのアクセス JR赤羽駅・徒歩5分 営業時間のご案内 平日cut10 00~19 00・Perm or Color10 00~18 00 土日、祝日cut9 30~18 00・Perm or Color9 30~17 30 縮毛矯正・Perm+Color Telにて確認 定休日 年中無休 取り扱いクレジットカード カット価格 3990円 スタイリスト数 6人 席数 9席 備考 ロング料金なし/ドライカット/パーティーメイク・セット/年中無休/朝10時前でも受付OK/ドリンクサービスあり ▼赤羽・十条・戸田のその他の美容院 Blume COSTA CLESC 戸田店 Rinascere ANQ 東十条店 dito hair Celeste赤羽店 hair&lounge A CT cut in Amy CRANE T-ZONE apt west wisp apt HAIR&MAKE Dimple Hair Space Ciel SALON DE JOLIESSE 美容室 TBK 赤羽店 K+plus total beauty hair OHI Hair&Make up miq 赤羽店 CAN NOAH Believe 赤羽店
https://w.atwiki.jp/cosmichistory/pages/65.html
It is obvious you can not take a full responsibility for everything. If you need electricity, you usually pay some money and count on those boys taking care of power plants. You could take more responsibility by buiding your own generator, but you still rely on those who deliver you the fuel. You normally do not take a full responsibility for every decision you make. You vote for politicians to make political decisions for you. You may consult your advisors when you have to decide what sort of insurance you should buy. Avoidance of responsibility for one thing often lets you afford to take responsibility for something else that is more important for you for the moment. Leaning on a guide is not necessarily bad. If you are in communication with a guiding spirit, you have an option of asking him for advice, besides asking someone in a meat body. A guiding spirit, bodiless, does not have body-related charges in restimulation. In some areas, he will be smarter than a person in meat. On the other hand, because of the lack of a body, a guiding spirit does not lives in our daily cycles and you may have to make them remember what it is like to be, ah, human. A guiding spirit used to be much more handily contacted than a meat body. 200 years ago, it was definitely wise to have a few guiding spirits around. Nowadays, because of mobile phones and internet connections, a person in meat is just as handy. A guiding spirit does not have a reputation. You yourself have to judge how good they are based on your observation alone. On the other hand, you can ask someone else how good your guide in meat is. In some areas of life, you may even be able to make use of a rating system. Whether your guide is a bodiless spirit or a human being, you can keep a track record of how accurate their pieces of advice have been. Ask them a question specific enough to let you judge them later. Do not just ask them whether you should take up music professionally. Ask them how successful you will be and how soon. Do not just ask them if a stock will be up on down. Ask them which direction the price will have moved a month later, for example.
https://w.atwiki.jp/pismonia/pages/142.html
復活 アルバム全曲レビュースレ 248 名前: 名盤さん 03/07/18 23 52 ID ve0SNRa9 incubus/Make Yourself 1.Privilege ★★★ イントロが好き 2.Nowhere Fast ★★☆ ギターソロがいい感じ 3.Consequence ★☆ 3,4,5はたいてい飛ばす。 4.The Warmth ★☆ 印象薄い 5.When It Comes ★☆ 前の2曲と区別がつかん 6.Steller ★★★★ シングル曲。ブランドンの歌い方がかっこいい。 7.Make Yourself ★★★★ 前作の曲のような激しい曲 8.Drive ★★★★★ シングル曲。有名だと思われる。 9.Clean ★★★★☆ 個人的には一番好き。終わりにかけて盛り上がっていくのがいいね。 10.Battlestar Scralatchtica ★★★ インスト曲。まあまあ。 11.I miss you ★★ あんま好きじゃない 12.Pardon Me ★★★★ シングル曲。このPVのブランドンが一番かっこいいと思う。 13.Out From Under ★★★☆ 結構激しめ。 14.Crowed Elevator ★★☆ ボートラということもあり、印象が薄い。
https://w.atwiki.jp/flstudio2/pages/265.html
Top 3 Melodic Techno Basslines - Make Your Tracks Groove! Melodic Technoのベースラインの作り方を解説する動画 Top 3 Melodic Techno Basslines - Make Your Tracks Grooveの個人的なまとめです。 Top 3 Melodic Techno Basslines - Make Your Tracks Groove!Bassline 1 Strong Bouncy Bassline 2 Sub Octave Groove Bassline 2 Classic Rolling Bass 参考 Bassline 1 Strong Bouncy 基本のベースパターンとして「オフビート」があります。 これは拍の裏を強調するベースパターンです。 ただ、このままだとリズムが単調なので、前後にズラすことで跳ねるリズムを強調できます。 なお、何拍で跳ねるのかは自由なので、好きなタイミングでズレを入れることができます。 Bassline 2 Sub Octave Groove 「332」のリズムでオクターブベースで動かします。 動画では3つめのフレーズは短3度で動かしています。 Bassline 2 Classic Rolling Bass ローリングベースラインは裏拍に16分音符の3連打を入れることで、リズムを強調するパターンです。 3度で動かすこともできます。 参考
https://w.atwiki.jp/mtgflavortext/pages/1154.html
imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Enervate.jpg) "Worlds turn in crucial moments of decision. Make your choice." ――Gustha Ebbasdotter,Kjeldoran Royal Mage アイスエイジ imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Enervate2.jpg) 世界は決定的な決断の時を迎えました。ご聖断を。 ――キイェルドーの王室魔道師、グスザ・エバスドッター "Worlds turn in crucial moments of decision. Make your choice." ――Gustha Ebbasdotter,Kjeldoran Royal Mage 第5版 【M TG Wiki】 名前
https://w.atwiki.jp/bemanilyrics/pages/1210.html
I see you standing over there pretending That you cannot see And everyday it's like You try to hide your sensitivity I'm tires of playing games You're near me all time So don't ignore me Get a grip it's time to speak What's in you heart You act like I'm the one Who wants this love to be reality You make me wait too long next time You lose all possibilities What kind of man would leave a lady That he want I know you're lonely Stop pretending boy I know what's in your heart Some people don't see What they have until it's gone I know that you need me So I wonder what's wrong...Babe Open your eyes and realizes What's in your heart now Are you scared you can't control it Open your eyes and realizes What's in your heart now Are you scared of a relationship ...Open up boy
https://w.atwiki.jp/zooworld-facebook/pages/33.html
Mission ミッション43-63 Mission 備考 1-42 43-63 64-84 85-105 zooblog.rockyou.com Level 43 Complete Silver Mastery on at least one Welcome Gate. Your visitors want a grand entrance! Click on Hearts by the Welcome Gate daily to increase mastery. Reach Platinum Mastery for Bald Eagle breeding. Bald Eagles are popular with the patrons, so the Wildlife Fund wants you to breed more. Click the “Breed” icon. Breed Bald Eagles until you reach Platinum Level. Have at least 3 islands in your Zoo. It’s getting cramped in here! Unlock at least 3 islands. Click on the “+” sign on your island selector for more instructions. Level 44 Gee whiz, answer 5 more daily quizzes correctly. Be known as a knowledgeable zookeeper and get your facts straight. Click on your Zoo Inbox. Answer 5 Daily Quiz questions correctly. These do not need to be consecutive. Complete 1 Bronze Level Greenhouse. Greenhouses can be used to shake multiple trees in one click. Buy a frame from the Buildables category of the shop. Collect pieces to complete. Once complete, place trees inside. Still stumped? Check out our blog post about building Greenhouses. Breed a Blue Dacnis.(20時間) The Wildlife Fund needs your help breeding this new rare animal. Buy 2 from the shop. Click on the Breed icon in your zoo. Successfully breed this rare species. Level 45 Have 2 each of Peccary, Serval, Nyala, Blue Dacnis, Canada Goose. Light up your zoo with 25 lamps. Visitors are complaining that it is too dark. Buy at least 25 lamps to light up your zoo. Go to the decorations category of shop. Look for any of these lamps under Accessories the Victorian Lamp, White Street Lamp, Heat Lamp, or Pink Heart Lamp. Own 2 Bronze level Greenhouses. Greenhouses can be used to shake trees in one click. Buy a frame from the Buildables category of shop. Collect pieces to complete the Greenhouse. Once complete, place trees inside. Level 46 Reach Silver Mastery for Blue Whale breeding. Blue Whales are popular with the patrons, so the Wildlife Fund wants you to breed more. Click the Breed icon. Breed Blue Whales until you reach Silver Mastery. Reach Silver Mastery on your Birds of Prey Show. Buy a Birds of Prey show from the Shows subtab in the Kiosks section of the shop. Collect money from it every day until you reach Silver Mastery. Find 3 more Mystery Gifts in your zoo. One of your wealthy patrons keeps leaving you mystery gifts in your zoo. Find 3 and claim the rewards. Search your zoo for a jumping blue box. Click it to open your prize. Be kind and share with your friends. Level 47 Noah’s Ark Rescue 5 pairs of feed-only animals. Get 2 each of 5 species found only on friends’ walls. Examples include the Highland Sheep, Hedgehog, Aardvark, Mustang, Walrus and Blue Ringed Octopus. Look for them on your friends’ walls, or ask your ZooMates to gift them to you. Wake everyone up with 5 more coffee shops. Your visitors are getting sleepy. Buy 5 coffee shops for your loyal patrons. Click on kiosks tab in Shop. Buy 5 coffee shops. Level 48 Get a Green Smiley for your overall Zoo Happiness Score. Boost your zoo’s profitability! Get a smiley for your Zoo Happiness Score. Click on the Zoo Happiness Icon below your visitor count. Follow instructions to improve your score. Get a Pomegranate Tree. Your visitors love picking Pomegranate off these fruitful trees. Collect pear trees via gifting or promotions. Go to the Collectibles tab in Shop. Go to the Flowering Tree subtab and upgrade your Pear Trees. Find 10 more treasures in your ZooMates’ zoos. Visit any ZooMate. Find treasures hidden beneath animal cages.(宝探し犬使用可) Level 49 Make it rain! Shake 100 more trees. (以前は温室をクリックでクリア出来たが、2014年は Big Tree を 100本以上クリックしないと駄目みたい?) Search your Zooand friends’ Zoos for trees to shake. Click to shake the trees. Reach Platinum Mastery for Red Panda breeding. Children love the Red Pandas, so the Wildlife Fund wants you to breed more. Click the Breed icon. Breed Red Pandas until you reach Platinum Mastery. Earn at least 1 gold trophy in your Trophy Room Earn Gold in any trophy in the Trophy Room. Click on the Trophy icon. Choose one to complete. Level 50 Get 9000 daily visitors. Buy a Stonehenge replica Your guests want to see something historical in your zoo. Go to the Decorations tab in Shop. Go to the Accessories subtab. Buy 1 Stonehenge.(1億zooキャッシュ) Get a Baby Elephant Topiary. Topiaries are attracting tons of green thumbs to your zoo. *Collect topiaries by clicking on breeding wall posts Go to the Collectibles tab in the Shop. Go to the Baby Topiary subtab and upgrade your Baby Giraffe Topiaries. Level 51 Breed a Clown Barb.(2日) The Wildlife Fund needs your help breeding this new rare animal. Buy 2 from the shop. Click on the Breed icon in your zoo. Successfully breed this rare species. ミッションが出てから、「zoo に公開」する必要あり。 Complete Gold mastery on at least one welcome gate. Click on hearts by your welcome gates daily. Buy 10 kiosks each of onion rings, potato chips and fried chicken food stands. Forget diets fatten up your visitors with fried food! Go to the Kiosks tab in the shop. Buy 10 each of the fried food kiosks from the food section. Onion rings xpレベル45以降購入可 fried chicken food stand xpレベル50以降購入可 Level 52 Get a Yellow Mushroom. Get colorful mushrooms to decorate your zoo. *Red Mushrooms by logging in everyday. *Go to Collectibles tab in Shop *Go to Mushroom and upgrade Red Mushrooms Protect your zoo with 20 fierce birds. Get 5 of each of these birds through the shop or breeding Black Kite, Red-Tailed Hawk, Hummingbird and Yellow-Eyed Penguin. Reach Gold Mastery for Blue Dacnis breeding The Blue Dacnis is endangered, so the Wildlife Fund wants you to breed it to diversify the gene pool. Click the Breed icon. Breed the Blue Dacnis until you reach Gold Mastery. Level 53 Get a Haunted House.(5500万zooキャッシュ) Spook your visitors into coming back! Go to the Decorations tab in the Shop. Go to the Buildings subtab. Buy 1 Haunted House. Upgrade your Birds of Prey show to Gold level. Buy a Birds of Prey Show from the Shows subtab in the Kiosks section of the shop. Collect money from it everyday until you reach Gold level. Earn at least 2 gold trophies in your Trophy Room. Click on the Trophy icon. Choose two to complete. level 54 Gee whiz, answer 5 more daily quizzes correctly. Be known as a knowledgeable zookeeper and get your facts straight. Click on your zoo inbox. Answer 5 more daily quiz questions correctly. Splish splash, an aquatic adventure! Get 5 each of these aquatic animals Leafy Sea Dragon, Whale Shark, Tiger Shark, Clownfish, and Dugong. Find 10 more treasures in your ZooMates’ zoos. Visit any ZooMate. Find treasures hidden beneath animal cages. Level 55 Have at least 4 islands in your zoo. It’s getting cramped in here! Unlock at least four islands. Click on the plus sign on your island selector for more instructions. Get a Star Fruit Tree. Your visitors love picking Star Fruit off these fruitful trees. Collect Pear Trees via gifting or promotions. Go to Collectibles tab in the Shop. Go to the Flowering Tree subtab and upgrade your Pear Trees. Upgrade your Rose Garden to Silver level. Beautify your zoo with some roses. Place your rose garden frame from storage onto your map. Collect roses and upgrade to Silver level. Level 56 Breed an (or a new ) Electric Eel.(23時間) The Wildlife Fund needs your help breeding this new rare animal. Buy 2 from the shop. Click on the Breed icon in your zoo. Successfully breed this rare species. Have at least $140,000,000 cash in the bank. You never know when you will need funds for a rainy day. Accumulate at least $140,000,000 cash in your bank account. Noah’s Ark get a pair of each of these animals. Have two each of the Chocolate chip Starfish, Clown Barb, Finch, Yellow Tang and Electric Eel. Purchase any of these animals you don’t have yet. Level 57 Breed a Hooded Seal.(3日) The Wildlife Fund needs your help breeding this rare animal. Buy 2 from the shop. Click on the Breed icon in your zoo. Successfully breed this rare species. Get a Green Smiley for overall Zoo Happiness Score. Don’t slack; maintain your zoo’s profitability! Get a smiley for your Zoo Happiness Score. Click on the Zoo Happiness Icon below your visitor count. Follow the instructions to improve your score. Have at least 10 growth formulas from feeding babies. Growth formulas help you breed faster. Collect them from feeding your friends’ baby animals. Check the Breeding tab for your Growth Formula balance. Level 58 Train 8 tricks overall. Hint the Swift can be trained too. Buy a Cupid and Candyman to help feed your animals. These staff members can make your life much easier. Upgrade your Birds of Prey show to Gold level. Buy a Birds of Prey Show from the Shows subtab in the Kiosks section of the shop. Collect money from it everyday until you reach Gold level. Level 59 Earn at least 1 platinum trophy in your Trophy Room. Click on the Trophy icon. Choose one to complete. Reach Platinum mastery for Kookaburra breeding. Kookaburras are popular with the patrons, so the Wildlife Fund wants you to breed more. Click the Breed icon Breed Kookaburras until you reach Platinum level. Move all animals onto your islands. Your animals are cold and sad in storage. Move them all onto your islands. Open Storage. Drag all animals to your maps. Level 60 Buy 1 Zoo Center for your zoo. Visitors are getting lost, so buy a zoo center for everyone to enjoy. Go to Decorations in Shop. Go to the Buildings subtab. Buy 1 Zoo Center.(1千万zooキャッシュ) Complete 1 Silver level greenhouse. Greenhouses can be used to shake trees in one click. Buy a frame from the Buildables category of shop. Upgrade 3 Bronze Greenhouses to get a Silver one. Get a Baby Camel Topiary Topiaries are attracting tons of green thumbs to your zoo. Collect topiaries by clicking on breeding wall posts. Go to the Collectibles tab in the Shop. Go to the Baby Topiary subtab and upgrade your Baby Giraffe Topiaries. Level 61 Breed 2 Hammerkops.(4日+4日 初めてのブリーディングで2匹同時は不可能,既に1匹ブリーディングしていて、2匹目の公開ではNG。しかし2匹同時でなくても可。もし既に4羽居て座布団が2つ以上空いていれば、1回のブリーディング(4日)で完了する。或いは前もって XP61 になる日付を計算してブリーディングを初め、ミッションが出てから公開すればすぐ完了する。) The Wildlife Fund wants you to breed a pair of these Hammerkops for their diversification program. Buy 2 from the shop. Click on the Breed icon in your zoo. Successfully breed two of this rare species. Get a Green Smiley for your overall Zoo Happiness Score. Don’t slack; maintain your zoo’s profitability! Get a smiley for your Zoo Happiness Score. Click on the Zoo Happiness Icon below your visitor count. Follow instructions to improve your score. Decorate each island with at least 50 decorations. Visitors are complaining that some of your islands are a bore. Buy decorations. Place at least 50 decorations on each of your islands. Level 62 Earn the Silver Trophy for Generous Gifter. Shower your friends with gifts to make them feel loved. Go to the Send Gift tab. Send friends gifts. Check on trophy progress in the Trophy Room as friends accept your gifts. Have at least $145,000,000 cash. A happy zoo is a profitable one! Make sure you have $145 million zoo dollars in your bank account. There might be a big spend around the corner. Have at least 30 kiosks per island. Visitors want to spend their money too. Buy kiosks from Shop. Place at least 30 kiosks per island.(過去に買った物もokで、各島に配置する必要は無いが、(加えた数だけのキオスクマネージャーが必要!!)} Level 63 Spend at least $100,000,000, starting now. You have to spend money to make money. Go to the shop and spend at least $100 million. Visit 15 Zoomates today. Be a tourist and visit your ZooMates’ zoos. (全zooの宝探しもしてしまうと、Mission64は翌日になる。) Complete Platinum mastery on at least one welcome gate. Click on hearts by your welcome gates daily Mission 備考 1-42 43-63 64-84 85-105 zooblog.rockyou.com 以下宣伝